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5IVE QUESTIONS with Graphic Novelist & Illustrator ANT SANG

20 Sep
5IVE QUESTIONS 

This new segment dear readers, is where I ask five questions of New Zealand Comic Book Creators, Writers and Artists to find what makes them tick.

This week I asked ANT SANG the questions. Ant lives and works in Auckland, NZ, He is an award-winning cartoonist and amongst his comic works is a series called, Dharma Punks and recently had his graphic novel, Shaolin Burning published ny HarperCollins New Zealand. Ant is well known in the New Zealand comic scene. And due to his creative work on the Bro’town TV Series, he has stamped his place in NZ Moving Images scene as well. 



COMIC ADDICTS: When did you decide creating comics was what you wanted to do?

ANT: I’ve drawn all my life, but it wasn’t until the mid-nineties when a friend of mine introduced me to independent comics (Chester Brown, Dan Clowes, Julie Doucett etc) that I got inspired to start writing comics ‘seriously’. The rawness and honesty in these comics really struck a nerve with me in a way that most mainstream comics couldn’t. And the underground/D.I.Y ethic was one which really inspired people to just go out and start making comics…


CA: Apart from print media you were involved with designing ‘Bro’Town‘, the animated TV series. It’s a series I must say I adore as something that really speaks to me as a Pacific Islander as well a Kiwi, living amongst one of the most diverse cultural melting pots, which is Auckland City. How did you get involved with the shows inception?

ANT: Awesome, glad you enjoyed Bro’Town! The show’s producer, Elizabeth Mitchell, contacted me when she heard about Dharma Punks when I was first starting to do the media rounds to promote that comic series. I tried out designing some of the characters and a few years later it was all on!


CA: Are there any plans for something similar to Bro’Town in the future?

ANT: A Bro’Town movie is in the pipeline, but apart from that, nope.

CA: Having a recognizable name and a resume as extensive as yours, have more offers come in because of the TV Series?

ANT: Every now and then someone approaches me about projects but I’ve really got the itch to do as much of my own projects as I can at the moment.

CA: I recently reviewed Shaolin Burning for the column, can you tell me how you were able to get HarperCollins to publish the graphic novel, since most publishers seem to stay away from comic books in NZ?
ANT: I heard that HarperCollins were looking for a local graphic novel project, so I pitched a few ideas to them and they were really keen. Since Shaolin Burning they’ve published Nice Day For a War, and another graphic novel (Kimble Bent, Malcontent) from Random House is due to hit the shelves very soon… so it’s an amazing year for NZ graphic novels!

(All Toons Copyright, 2011. Ant Sang.)


(ARU), Aruneshwar has just finished his Bachelors Degree in Digital Media -Digital Film-making. He took a semester of Multimedia earlier this year which kind of set him up for comictrade.co.nz, a New Zealand  online comic store. On the creative side Aru,is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery ofIndians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comicbook genres which include several graphic novels for his own company,Rising Sun Comics.
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Review: SHAOLIN BURNING graphic novel by Ant Sang

13 Sep



ANT SANG lives and works in Auckland, NZ. He is an award-winning cartoonist and amongst his comic works is a series called Dharma Punks and he recently had his graphic novel, Shaolin Burning, published by HarperCollins, New Zealand. Ant is well known in the New Zealand comic scene. And due to his creative work on the Bro’town TV Series, he has stamped his place in the NZ Moving Images scene as well. 



With the sudden interest in graphic novels and comic books in general off-late, although the basis for this has been building for well over two decades, even our (New Zealand) homegrown publishers are looking to our local talents for work to publish. HarperCollins New Zealand has just released another graphic novel this past week 

(Click to enlarge)
   The New Zealand comic community is excited and over the moon about this sudden local interest. They are after all publishing what some in the local publishing world it seems, regard as low art and therefore not to be taken as seriously as a regular novel. Not to mention the fact that it usually takes around a year to two to complete a decent graphic novel. But, …it’s an amazing year for NZ graphic novels!” as Ant put it, when I asked him this week about how he ended up getting his graphic novel published. 

(Click to enlarge)
Ant, although I have never met him in person, has a real playful nature to him, as well as that certain “Asian serenity”. I mention this because his replies to my questions were warm, at least I felt they were. Being a person who works through about 80-90% of his waking life, I tend to pay attention to what people write. Most of my weeks conversations are done through email, chat and Facebook messages as I’m sure a fair amount of yours do as well.
   Now back to Ant. Shaolin Burning is a tale based on myth, legend and Chinese history. And as those who are familiar with Kung-Fu films will know it (shaolin) is the most important school of the martial arts in Chinese history. I am no expert, so I will leave explaining it there.
   The graphic novel is a beautiful piece of work mixing serene action sequences and visual drama with character that I instantly fell in love with. This is tragic story and one with lost heroes trying to make a mark in their world. Its a tale of revenge with sweet moments of forgiveness and yet filled with horrifying and  brutal sword fighting scenes as heads are decapitated and body parts are hacked to pieces. All this and yet the ending leaves you with wanting to read more. 

   The story is of a 15 year old orphaned girl, Deadly Plum Blossom, who having been rescued from drowning by her father and thrust upon her adopted mother (which actually is something that happened all too often to female babies back then) She has grown up being taught a new form of Kung Fu by her mother, who teaches the art within a year rather than the normal six needed to be a master.
   There is a really humorous piece of dialogue and it just reminds me so much of Bro’Town, which Ant had a part in helping create. 
(Click to enlarge)


“Grow some nuts, lil’ boys!” Tong fighter to gathered fighting gangs, challenging them to a fight and no one wants to fight, due to the fact the Tongs kill for a living. “You guys have been fighting girls too long!”  
Deadly Plum Blossom to her friend Mouse, “I reckon I can take him on…”
“Blossom! Forget it. You got nothin’ to prove to ’em!” Mouse replies back.
I am serious these pigs need to be taught a lesson,” Deadly Plum Blossom.  

And this is the playful nature of Ants writing that I feel comes out in this book so well. The book is filled at times with great amounts of violence and then suddenly you see these little moments of backyard peer pressure. 
   When I got near to the last 15 or so pages I wondered how it could be tied up in a nice little conclusion given that there were only so many pages left. But wallah! loose ends were all gathered together. 

(Click to enlarge)

I haven’ read much Manga and the ones I have are written by old masters of the art, such as Blade of the Immortal. The English language versions and the restructuring of the panels to be able to be understood by a non-Manga reader has done a world of good to attract more western readers. Shaolin Burning is written with English readers in mind, there are no multi-direction panel structures reminiscent of standard Manga. 

Having read Shaolin Burning the only thing I am unhappy about is the cover. Its seems that the person who designed the cover has no idea what a graphic novel cover should look like. Its a horrible if no terrible look for a book so colorful and full of action. To be blatantly honest, I would have rather gone with the back cover as the front. Its almost like the designer wanted people to be put off by the cover. I know I was at first. But I was won over by Ant’s Bro’Town work. 

Do not be put off by the cover. 


Purchase here.

(ARU), Aruneshwar has just finished his Bachelors Degree in Digital Media -Digital Film-making. He took a semester of Multimedia earlier this year which kind of set him up for comictrade.co.nz, a New Zealand  online comic store. On the creative side Aru,is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery ofIndians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comicbook genres which include several graphic novels for his own company,Rising Sun Comics.

Adventures of the Kite Family

11 Aug
Adventures of the Kite Family written by Dan Brader with the first issue illustrated by New Zealand artists, Yi Lang Chen & Csaba Mester.

Dan and I have been FB friends since I first was contacted by him a few months back, when he asked me to check out the first issue of Kite Family. Because the series is a Real Life genre book, the issues and situations in it, felt like it was speaking to me personally as an adult male. I felt at one with the character, even though there isn’t much revelation about why Donnie is back from where ever he was. The story allowed me to put myself in Donnie’s place and think about the shit, for lack of a better adjective, that I had/have been going through after my own split and returning to my parents home to recoup for a while before I decided it was time to stand up.




I wanted to know more about the series, so I sent Dan, Five Questions to find out a bit about him as well as how the series came about. 







ARU: Tell us about yourself?

DAN: I’m a 29 year old who suffers from mild depression who spends my life on Facebook… Has a mass of debts I’ll never pay off… An ex-girlfriend who has all of my books, DVDs, records and comics and will never give them back…And I was living with my parents for the bulk of 2010…You could also say I’m a stand-up comedian and writer with a lot of promise who will get there eventually….And by “there” I mean make enough money from “art” to pay rent and bills….That’d make me happy.

ARU: How did you, as a Comedian end up deciding to write graphic novels?

DAN: Basically what happened was… I broke up with my girlfriend and because I’d spent so much time doing comedy shows and so little time working a day job and saving money (you know like normal people…) I had no choice but to come back home and live with my parents for a bit until I sorted shit out….Staying with them reminded me how much I liked writing about them (I wrote a play about them back at University) and because I was isolated in Wanaka I had no chance to do comedy routines about them…So I started writing scripts again and then it occured to me I could maybe turn them into comics if I could find an artist… I got lucky with Yi Lang Chen who very much captured the comical but realistic style I was looking for.

ARU Whats it been like working with the artist on the first issue?


DAN: Yi is a very talented artist and is very easy to work with…He seems to ‘get’ the tone of the work. I was very lucky to find him as I have been through a few artists prior to him and they’ve either been unreliable or just didn’t get the vibe of the piece. I also had Csaba Mester, a talented Hungarian artist, do a short piece with the Kites and we’re working on a comic about Tom Waits now but will probably do some Kite family stuff together too. So now I have two great artists to work with!

ARU: The ‘Kite Family‘ seems to feel very claustrophobic and seems like it has a lot of personal feelings placed into it from experience. Is this something you wanted to do with it from the start?
DAN: The comic is very close to my life. I’ve changed the odd thing here and there and exagerrated certain things but basically this is what it was like for me when I first returned home. I’ve tried to keep it punchy and comical as well so it doesn’t just seem like me having a big whinge. I’d liked it to be a very long series (I’ve written a whole stack of scripts already..) that’s divided between regular issues like this and issues that are a bunch of short pieces similar to how Pekar did early issues of “American Splendour


In my mind and heart I believe the book is a winner and needs to given the 4-6 issue graphic novel drive and let me be the first to say I dibs the copy after your family gets theres.
You can read the first issue, hereThere is also a  with tons of extras fan page
(ARU), Aruneshwar Singh has just finished his Bachelors Degree in Digital Media -Digital Film-making.
Having decided to become a teacher so he can see the world, he has just begun a
Diploma in Digital Media -Multimedia. On the creative side Aru,
is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery of
Indians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comic
book genres which include several graphic novels for his own company,
Rising Sun Comics.