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3 Nov

There is nothing to fear but Fear Itself”

Well, yeah. The event kinda sucked.

The Premise
Bad jokes aside, Fear Itself is the recently finished Marvel company-wide crossover event, primarily centred around Thor and Captain America, two heroes that had movies releasing over the summer.
The story revolves around Odin’s Brother, The Serpent (First name : The, Last Name : Serpent) escaping the prison once set for

him and then , with the help of his 8 hammer powered henchmen, Sin, Hulk, the Thing, Attuma, The Absorbing Man, Titania, Juggernaut and the Grey Gargoyle, engulfs the whole planet with fear trying to make himself stronger.
This was originally planned as a Cap/Thor crossover but soon developed into a Full Blown crossover, considering the fact that Marvel hadn’t come up with one for a year and a half.
Pre-launch, the series was said to have metaphors for how fear has gripped the modern real world.
Also, if you plan to read Fear Itself, this is me SPOILER ALERTing this aricle and advising you to read this after you read the series.


Review : The Main Series

Personally, I’ve never been a big fan of Matt Fraction writing for books with bigger casts. At one hand, he can come up with some of the best work in comics today with titles like Invincible Iron Man, The Mighty Thor and Immortal Iron Fist, while on the other hand, he has been under fire from critics for titles such as his consistently inconsistent run on Uncanny X-Men.

Fear Itself reads very different (and much better) when read in a collected form, rather than individual issues over months. Fraction is known to expand a given story to insert more characterisation, an approach that does seem to be working well for the early part of the event, with Fraction effectively portraying the public gloom as things get grittier for the heroes, but sometime around the Death of Bucky Barnes, that approach pretty much gets thrown out of the window, making way for people with hammers fighting. We do get plenty of great moments for the characters(more on that later), but somewhere before the middle of the series, cohesive storytelling gets affected severely.
What the series does have going for it is the fact that it led to a lasting impact on the three most prominent heroes in the Marvel Universe : Captain America, Thor and Iron Man. Bucky dies, whic means Steve has to wield the shield again, right in time for the movie. Iron Man breaks his sobriety and bows down to Odin. And Thor takes nine steps and sacrifices himself to save Midgard. Except for a little bit here and there, everyone else is pretty much in the background.
Despite the problems with the script, the one man who managed to make this title a must read is Stuart Immonen. This event was certainly his biggest break, after stellar work on Ultimate Spider-Man and New Avengers, and he didn’t disappoint. We have some beautiful visuals throughout, along with brilliantly rendered action scenes which make you feel every blow. I loved Oliver Coipel’s work on Siege, the last Marvel event, but this is on a whole different level.
Moments from Fear Itself

Steve Rogers has no idea what to do with an agitated mob
Tony Stark proposes a solution : To Rebuild Asgard as a gesture of goodwill.

The Name’s Serpent, The Serpent

Odin knows there’s trouble brewing and leads the Asgardians out of Earth.

The Red Skull attacks Washington

Bucky dies a soldier’s death. No one seems to care much about him after this, though.

Aaaaaaand Cap’s suited up again.

In what is easily Tony Stark’s defining moment in the event, he loses his sobriety to gain Odin’s Attention.

Thor challenges the Serpent, but is instead sent to face Hammer-powered Hulk and Thing.
Just to show that he’s a badass, The Serpent breaks Cap’s shield.

People going out of character all over. Spidey runs away to be with his Aunt, and Cap accepts defeat. Double Facepalm.

Cap has balls.

After making Odin-blessed Uru weapons for the Avengers, Stark has to take a Molten Uru bath for his armor to be blessed.

Cap decides to hold the line against Dark Asgard solo. He’s confident it’s gonna be alright because one Cap has already died in the event.

All hail the mighty.

It appears Cap is as worthy as they come.

Thor strikes the Serpent, sacrificing himself in the process.

See you next summer, Thor.
The stage is set for Shattered Heroes.
Fear Itself was very different from other events because the tie-ins turned out to be not only good, but quite a few were actually better than the Main series. Here’s a few.
1) Invincible Iron Man

Remember what I said earlier about Fraction on this title? This is what I was talking about. The Fear Itself arc covers the fall and subsequent rise of Tony Stark during the event. One half of the arc is about him fighting the Grey Gargoyle in a Grey Gargoyle-d Paris (and getting his posterior kicked) and then creating weapons for the avengers in Odin’s workshop. Excellent character work.
2) Journey into Mystery
Kieron Gillen writes the best Loki I have ever read. Excellent writing with an amazing blend of humor and myth makes this a must buy
3) Uncanny X-Men
X-Men vs. Hammer powered Juggernaut. Colossus takes up Juggernaut mantle. Written by Kieron Gillen. Take my money, please.
4) Avengers Academy
The faculty and students battle the worthy. Excellent character work and team dynamics throughout. Christos Gage at his best.

5) Hulk
Jeff Parker’s current run really proves that there is no such thing as a bad character. Red Hulk vs the Thing/Angrir.
Final Word
This is my least favourite recent Marvel crossover event. What it has working for it is Stuart Immonen, overall good tie-ins and some memorable moments with some lasting impact. What it doesn’t have working for it is Fraction’s confused writing, overall weak premise and the fact that it is centred around just 5 characters (Cap, Thor, Stark, The Serpent and the Red Skull). It’s certainly not a painful read, but it’s also no Civil War. The final verdict is this : Buy Watchmen if you have a choice between this and Watchmen. Bad Example, I know, you always buy Watchmen when it’s a choice between anything and Watchmen.
Score : Main Series : 6.8/10 (2.2/5 for Fraction, 4.6/5 for Immonen)
Overall Event : 7.5/10

5 QUESTIONS with Graphic Novelist Dylan Horrocks

27 Sep

5 QUESTIONS is were I ask 5 questions of New Zealand Comic Book Creators, Writers and Artists. 

This week I asked DYLAN HORROCKS the questions. DYLAN lives 
 and works in Auckland, NZ. He teaches Art at Auckland University of Technology and advises on Comic Writing at Auckland University. His ‘10 issues of his comic book Pickle were published by Black Eye (1992-97) and his graphic novel Hicksville was published in 1998, also by Black Eye.  Hicksville has since been reprinted by Drawn & Quarterly and has been translated into French, Italian and Spanish’. Hicksville was Nominated for two Ignatz Awards (best graphic novel and best art) and one Harvey Award (best reprint collection). Winner of two Goodies Awards (best graphic novel and best writer).  Named a Comics Journal ‘book of the year.’  

COMIC ADDICTS: Who is Dylan Horrocks?
DYLAN: He’s a character in some of my comics.
CA: What made you want to write comic books? 
DYLAN: Growing up reading Tintin, among other things. My Dad is into comics, so the house always had a good supply of great things to read.

CA: Among your webcomics and printed works is ‘Hicksville’ is an award winning graphic novel about a comic creator and the comic industry. What made you decide to create a comic about the artist and art form itself?
DYLAN: Well, they do say “write what you know…” Seriously, though (I hate that phrase and consider it very poor advice), Hicksville was initially just a private daydream, built from my love of comics and my homesickness for New Zealand (when I was living in Britain for a few years). I made up a place where everyone was obsessed with comics because that’s the kind of place I dreamed of hanging 
out. From there the story grew organically, and I used it to explore stuff I was thinking about at the time – not just comics, but art, commerce, betrayal, community, love and loss – all the usual things…
Preview Hicksville here.

CA: As mentioned you create web-comics as well, what is it about creating webcomics that you think seems so attractive to comic book creators like yourself?
DYLAN: For me, the main attraction is the ability to put stuff out there regularly. It takes me a long time to finish a book, and it can get pretty lonely working alone like that. Serialising it on the web means I can show it to people one page a time. It’s a bit more like working in a shared studio, where you can pass pages around and chat about how it’s going.
CA: Is there a new work you are working on that we may be seeing on the book shelves soon?
DYLAN: Well, I’ve nearly finished ‘The Magic Pen’ volume 1 (two chapters to go), and hope to have that out next year. I should also put together a collection of my short comics stories soon. And there are a couple of other things in the works, too, which I’m doing in collaboration with other people. So hopefully the next year or two should be full of new books by me…

All Toons Copyright, 2011. Dylan Horrocks.

Aru (Aruneshwar Singh, is a writer and graphic novelist who has several unpublished works currently being worked on as well as working with other Illustrators and Artists he also illustrates his own comics. His webcomic Zero can be viewed here. Aru has a Bachelors Degree in Digital Media- Digital Filmmaking and is the CEO and Owner of New Zealand’s only Online Comic Store, Comic Trade. Facebook

5IVE QUESTIONS with Graphic Novelist & Illustrator ANT SANG

20 Sep

This new segment dear readers, is where I ask five questions of New Zealand Comic Book Creators, Writers and Artists to find what makes them tick.

This week I asked ANT SANG the questions. Ant lives and works in Auckland, NZ, He is an award-winning cartoonist and amongst his comic works is a series called, Dharma Punks and recently had his graphic novel, Shaolin Burning published ny HarperCollins New Zealand. Ant is well known in the New Zealand comic scene. And due to his creative work on the Bro’town TV Series, he has stamped his place in NZ Moving Images scene as well. 

COMIC ADDICTS: When did you decide creating comics was what you wanted to do?

ANT: I’ve drawn all my life, but it wasn’t until the mid-nineties when a friend of mine introduced me to independent comics (Chester Brown, Dan Clowes, Julie Doucett etc) that I got inspired to start writing comics ‘seriously’. The rawness and honesty in these comics really struck a nerve with me in a way that most mainstream comics couldn’t. And the underground/D.I.Y ethic was one which really inspired people to just go out and start making comics…

CA: Apart from print media you were involved with designing ‘Bro’Town‘, the animated TV series. It’s a series I must say I adore as something that really speaks to me as a Pacific Islander as well a Kiwi, living amongst one of the most diverse cultural melting pots, which is Auckland City. How did you get involved with the shows inception?

ANT: Awesome, glad you enjoyed Bro’Town! The show’s producer, Elizabeth Mitchell, contacted me when she heard about Dharma Punks when I was first starting to do the media rounds to promote that comic series. I tried out designing some of the characters and a few years later it was all on!

CA: Are there any plans for something similar to Bro’Town in the future?

ANT: A Bro’Town movie is in the pipeline, but apart from that, nope.

CA: Having a recognizable name and a resume as extensive as yours, have more offers come in because of the TV Series?

ANT: Every now and then someone approaches me about projects but I’ve really got the itch to do as much of my own projects as I can at the moment.

CA: I recently reviewed Shaolin Burning for the column, can you tell me how you were able to get HarperCollins to publish the graphic novel, since most publishers seem to stay away from comic books in NZ?
ANT: I heard that HarperCollins were looking for a local graphic novel project, so I pitched a few ideas to them and they were really keen. Since Shaolin Burning they’ve published Nice Day For a War, and another graphic novel (Kimble Bent, Malcontent) from Random House is due to hit the shelves very soon… so it’s an amazing year for NZ graphic novels!

(All Toons Copyright, 2011. Ant Sang.)

(ARU), Aruneshwar has just finished his Bachelors Degree in Digital Media -Digital Film-making. He took a semester of Multimedia earlier this year which kind of set him up for, a New Zealand  online comic store. On the creative side Aru,is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery ofIndians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comicbook genres which include several graphic novels for his own company,Rising Sun Comics.

C.C.E.MUMBAI Cometh!!!

14 Sep


It was some seven months ago I found myself roaming through New Delhi’s “Dilli Haat”, dressed as a cheap homemade version of Batman with a paunch, along with my little brother who was a much more convincing Wolverine. Some people were even staring at us as if we were recently let loose from an asylum and were being allowed to mingle with the general public!

Most of the stares openly showed their displeasure at this freedom being given to delinquents like us, but did we care? At that point in time we wouldn’t have cared if the public had started stoning us or even if the cops locked us up.
We were on our way to The Indian Comic-Con!!!
India’s FIRST ever Comic Convention!!!
This was something I had dreamt about for several years but had expected it to turn into reality in at least my lifetime! But hey, what do we know? Dreams have a almost nasty habit of being realized overnight, when you least expect it!

Something magical had happened a few months ago. Facebook had informed us that there was a plan for a potential Comic-Con in Delhi. The word was enough to get me interested and I started following it up. Joined the page, asked the questions, responded to each post, argued, gossiped and spread the word, forced people to join, made them aware and pretty much everything I could think of doing – short of walking on the roads with a biggammajammi banner over my head! And I’d have done that too, but just didn’t think about making/finding a banner soon enough.

Anyway, I digress. So we were at Dilli Haat, in full costume, walking towards our dream coming true – and what a fine realization of a dream it turned out to be!! There were already people in costumes moving about, talking to each other, getting their pictures clicked and all-in-all having tons of fun!

We jumped right in, registered and Wolverine got instantly popular. We had worked really hard on his costume (Eh, actually the “We” was more of a “They”, rather than “Me”, to be honest) and it paid off. He was easily the most sought after cosplayer! We had oodles and oodles of fun the entire day! Got to meet so many people, several of whom have become very close and dear friends today! The second day it rained like hell but we didn’t care! We still came out, got wet, got pics clicked and had a complete blast for two whole days! DEFINITELY two of the most memorable days of our lives!!!

Team “Ravanayan” autograph session!

Interestingly I got a chance to be a Comic Addict only because of Comic Con! I met Mayank, he used to write under the title “The Adventures of M” at that time. He read a few of my reviews, noted my enthusiasm on FB about all things comics and asked me if I would be interested in joining his blog? I was busy with several other things at that time – music, work and what not – so I apologized and clarified that I might not be able to give him the amount of time he would expect from a contributing member of the group, but offered to do some guest reviews from time to time.

After I wrote my first article for him, I realized how much fun it was and that I could probably take out some time out of my schedule for it periodically. Slowly but gradually other members were joining the gang and we migrated from a small one-man blog to a group where we had writers with varied interest and everyone was completely addicted to comic books! And Hey-Presto: The name was changed unanimously to Comic Addicts!

So although I was addicted to comic, I wasn’t technically a Comic Addict. But thanks to Comic Con, I was able to take that step and get involved, rather than just standing on the sidelines and observing!
Even apart from Comic Addicts, I met SO many people who have ended up being great friends now. I met artists whose work I had seen and appreciated even more. I met people whom I had known online, but hadn’t seen them even once! And trust me, it wasn’t just me. Pretty much EVERYONE made good friends, increased their social base, got a positive, confident confirmation that we are NOT the only Geeks and Nerds around! There are a whole lot of them!!! Some even Geekier and Nerdy, so much so that they are the cool ones in comparison!
And the nominees are…

All this is courtesy Comic Con India. It wasn’t just an event or a convention. It was a movement, a chain, a reactive sequence of events, a veritable phenomenon that completely changed all our lives forever. For the better (I hope!!)

It might sound cheesy, but just think about it! If you were at the Con, just make a mental list of fellow fans and creators who you were in regular contact with prior to the Comic Con, and then compare it with who you now know AFTER attending the Con! Simply do it. You don’t need to answer or justify anything to me. I already know the answer!
For an event that was totally awesome and fun – especially for Fan boys like us – two days of festivities seemed just not sufficient! In fact, it almost felt worse than not having a Con at all!!!

Before all of this I had imagined such a thing but hadn’t really experienced it. Once CCI 2010 happened, I realized how much was I missing in life!!! It was akin to a tiger tasting human blood for the first! I have tasted of the charged energy that is the life-blood of the comics industry and two days are simply not sufficient! I want more. WE want more, don’t we?

All those goodies… *drool*

Well… Your wait it about to be over! After the huge success that was Comic Con India 2011 and after getting overwhelming response for another Con next year, it was decided to host another fest. But this time in the event would not wait a year, no – it would travel to distant Mumbai, months before the 2nd Annual CCI in Delhi next year! 
The venerable organisers of the grand event in their infinite wisdom realised that twelve months was far too long and created: Comic Con Express! A traveling convention that would give us something to satisfy our cravings between the yearly gathering from across the lands!
Comic Con Express – Mumbai, 22nd and 23rd October, World Trade Center, Cuffe Parade, Mumbai.
Huh. What on earth are you still doing here!?!
Did you miss that last line?
It’s just a little more than 41 days from D-Day!!! Why aren’t you making preparations to reach Mumbai by the 22nd of October?
Great Snakes! You’re STILL here?!
The countdown has started my dearest fellow addicts, the clock is ticking!
So I’ll see you my friends, at the next Con… Be There
41 Days Remaining!

Review: SHAOLIN BURNING graphic novel by Ant Sang

13 Sep

ANT SANG lives and works in Auckland, NZ. He is an award-winning cartoonist and amongst his comic works is a series called Dharma Punks and he recently had his graphic novel, Shaolin Burning, published by HarperCollins, New Zealand. Ant is well known in the New Zealand comic scene. And due to his creative work on the Bro’town TV Series, he has stamped his place in the NZ Moving Images scene as well. 

With the sudden interest in graphic novels and comic books in general off-late, although the basis for this has been building for well over two decades, even our (New Zealand) homegrown publishers are looking to our local talents for work to publish. HarperCollins New Zealand has just released another graphic novel this past week 

(Click to enlarge)
   The New Zealand comic community is excited and over the moon about this sudden local interest. They are after all publishing what some in the local publishing world it seems, regard as low art and therefore not to be taken as seriously as a regular novel. Not to mention the fact that it usually takes around a year to two to complete a decent graphic novel. But, …it’s an amazing year for NZ graphic novels!” as Ant put it, when I asked him this week about how he ended up getting his graphic novel published. 

(Click to enlarge)
Ant, although I have never met him in person, has a real playful nature to him, as well as that certain “Asian serenity”. I mention this because his replies to my questions were warm, at least I felt they were. Being a person who works through about 80-90% of his waking life, I tend to pay attention to what people write. Most of my weeks conversations are done through email, chat and Facebook messages as I’m sure a fair amount of yours do as well.
   Now back to Ant. Shaolin Burning is a tale based on myth, legend and Chinese history. And as those who are familiar with Kung-Fu films will know it (shaolin) is the most important school of the martial arts in Chinese history. I am no expert, so I will leave explaining it there.
   The graphic novel is a beautiful piece of work mixing serene action sequences and visual drama with character that I instantly fell in love with. This is tragic story and one with lost heroes trying to make a mark in their world. Its a tale of revenge with sweet moments of forgiveness and yet filled with horrifying and  brutal sword fighting scenes as heads are decapitated and body parts are hacked to pieces. All this and yet the ending leaves you with wanting to read more. 

   The story is of a 15 year old orphaned girl, Deadly Plum Blossom, who having been rescued from drowning by her father and thrust upon her adopted mother (which actually is something that happened all too often to female babies back then) She has grown up being taught a new form of Kung Fu by her mother, who teaches the art within a year rather than the normal six needed to be a master.
   There is a really humorous piece of dialogue and it just reminds me so much of Bro’Town, which Ant had a part in helping create. 
(Click to enlarge)

“Grow some nuts, lil’ boys!” Tong fighter to gathered fighting gangs, challenging them to a fight and no one wants to fight, due to the fact the Tongs kill for a living. “You guys have been fighting girls too long!”  
Deadly Plum Blossom to her friend Mouse, “I reckon I can take him on…”
“Blossom! Forget it. You got nothin’ to prove to ’em!” Mouse replies back.
I am serious these pigs need to be taught a lesson,” Deadly Plum Blossom.  

And this is the playful nature of Ants writing that I feel comes out in this book so well. The book is filled at times with great amounts of violence and then suddenly you see these little moments of backyard peer pressure. 
   When I got near to the last 15 or so pages I wondered how it could be tied up in a nice little conclusion given that there were only so many pages left. But wallah! loose ends were all gathered together. 

(Click to enlarge)

I haven’ read much Manga and the ones I have are written by old masters of the art, such as Blade of the Immortal. The English language versions and the restructuring of the panels to be able to be understood by a non-Manga reader has done a world of good to attract more western readers. Shaolin Burning is written with English readers in mind, there are no multi-direction panel structures reminiscent of standard Manga. 

Having read Shaolin Burning the only thing I am unhappy about is the cover. Its seems that the person who designed the cover has no idea what a graphic novel cover should look like. Its a horrible if no terrible look for a book so colorful and full of action. To be blatantly honest, I would have rather gone with the back cover as the front. Its almost like the designer wanted people to be put off by the cover. I know I was at first. But I was won over by Ant’s Bro’Town work. 

Do not be put off by the cover. 

Purchase here.

(ARU), Aruneshwar has just finished his Bachelors Degree in Digital Media -Digital Film-making. He took a semester of Multimedia earlier this year which kind of set him up for, a New Zealand  online comic store. On the creative side Aru,is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery ofIndians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comicbook genres which include several graphic novels for his own company,Rising Sun Comics.

Crowdfunding: The Circle Graphic Novel

16 Aug

Crowdfunding is when a whole bunch of people you know and most likely don’t know, have an opportunity to support your project. Whatever the project might be. From a short film to a tuition fee to get you to a special course to further your skills, to getting a new computer application off the ground.

Recently there has been a huge variety of websites across the West doing really great things for Creators and Artists as well as for amateurs.  So, I decided to give it a go to see if I could get support to get my graphic novel printed.

(Click on here for my project on Pozible.)

Having tried to get onto the US Kickstarter website, after the initial acceptance of my project, I found out I had to live in the United States or have a US bank account to qualify. So, when I heard about the Australian site, which is a bit closer to myself here, in New Zealand, I decided to have a go.

As a creator, we spend a vast amount of time creating and refining our project/s and if you are anything like me, you just want to move onto the next project. Most of you who have been following my weekly post here or  my Facebook page, know I like to work on several projects at the same time. I haven’t figured out whether this is because I like the idea of working on different projects at the same time or whether I don’t like finishing projects. Despite that, I did however finish one project, The Circle.

The Circle has been like pulling teeth from the beginning. I know most people say how excited they are about working on their art and creating a masterpiece. But, this one was a killer. Imagine sitting there for hundreds of hours in front of your CRT screen with a mouse and PhotoShop, just clicking away for 2 days a week and other time I could spare, after getting home tired from work in a very busy retail environment, having the pressure of selling thirty five thousand dollars of product a week, only to get home and hope that what I was doing would end up printed and in someone’s hands.

Well, after 2 yrs of working on it, and a year of promotion on, I am now ready to get the book printed.

I spent the past 4 weeks, back and forth on emails trying to get quotes.  Trying to find the best option in page numbers and print size wasn’t the easiest job. There are many options if you have the money. But, if you don’t? Well, you know the rest.

Deciding that since this book was my first and hopefully not my last, I placed a promo on Pozible. So, now its up to folks on Pozible to see what they think of my graphic novel and whether they believe its worth getting printed up. Fingers crossed. You can, but try after all.

Check out the website and see whether your project meets the guidelines and who knows you may get that masterpiece funded too.

Catch up next week, Aru

Aru (Aruneshwar Singh) has a Bachelor of Arts in Digital Media -Digital Film-making. 
Always writing and illustrating and currently working on a graphic novel about the 30yrs of Institutionalised Slavery of Indians in Fiji from 1885 -1915. 
He also has a weekly graphic serial on Facebook called
Zero© and also on his blogsite.

Will the real Captain America please stand up?

30 Jul

Jack Kirby (& heirs) Vs. Marvel Comics

Yes, I am going there. But for all the right reasons. For a little while now, a court case has been under way to get back the rights or at least get royalties from Marvel Comics for the late Jack ‘King’ Kirby and his heirs from the 100s of millions made from creations which without Kirby would not exist, such as Hulk, Fantastic Four, and oh, that money spinner, X-Men. Every comic fan/reader must know about Kirby for it goes without saying, that he is as important to American/Western comics as Leonardo Da Vinci is to modern art and as Anant Pai was to Indian comics.

 As you may or may not be aware of, this past week saw the final verdict given on the decades long struggle between the estate of Jack Kirby and Marvel Comics -which is owned by Disney.  The court ruled ‘legally’ in favor of Marvel Comics. And therefore all rights to Kirby’s work will remain in the hands of Marvel to do as they see fit and as with any powerhouse they have every right to. Rich Johnston of Bleeding Cool has been so cool as to place the entire ruling up for all fans and interested parties to read for themselves. So, I am not gonna try and explain the legal fine print here in this column, but do have a read for yourselves. It will give you a good understanding of how far things have come.

Capt. America #1

For years, to all of us who have/had been Marvel Comics fans due to the great ensemble of superhero and mutant books put out by the stable. The company for years helped various artists and writers to break into the medium in the USA. Having grown into a pop culture icon, Stan Lee has taken the characters Jack created in a whole new universe. Just look at the movies, toys and over the top branding of the recent Thor and now Captain America, both were also co-created by Kirby.
Loyalist and those who believe a person should get recognition for his creations and royalties paid, especially in this age of multi-million dollar lawsuits, and brands which could easily buy some countries around the globe, should at least step aside from the legal decision now that its over,  and look to rectify to the Kirby Heirs and to us, as consumers who indirectly allow an injustice to continue by allowing a man like Jack Kirby to continue (even after his passing), to be treated as a Coolie, carrying the bags of Marvel Comics while others reap of his work, slaving for a company, he felt, had for years mistreated him.

‘King’ Kirby

As both a writer and artist, not trying to say I am anything of any import among these giants, when I hear about someone who is unfairly treated by companies, I get angry, for lack of a better description. As part of my Bachelors Degree in Digital Filmmaking we discussed at length over ownership rights and work for hire and creations made and or, written whilst in the employ of a company, as the legals issues seem not to allow for creator rights in certain situations, (make sure you read the fine print). You see the law is always clear cut when it comes to who owns what, when and also how long for. But what it sometimes seems to ignore is the emotions, creative passions and angst which comes with trying to bring about something out of thin air.
In this case Marvel Comics have won, and also we must remember as has Disney. The losers are of course, Jack Kirby, who just doesn’t seem to catch a break and his heirs.

   Now I am not saying that the fault lies with Marvel Comics or the Kirby Heirs here, but its a done deal. A loser and a winner. But, I as a comic fan and creator feel something needs to be done here for Jack. Its time to let the world know that without him American Comics would not be the rich green pasture it is today and that those comic characters would not have the same appeal they did for fans before us and those who will follow.  But it would behove, Stan Lee to at least set the record straight and put the matter to rest as to who did what and when, now that the gavel has fallen. Lets have a clean slate. Jack Kirby will always be King.

(ARU), Aruneshwar has just finished his Bachelors Degree in Digital Media -Digital Film-making.
Having decided to become a teacher so he can see the world, he has just begun a
Diploma in Digital Media -Multimedia. On the creative side Aru,
is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery of
Indians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comic
book genres which include several graphic novels for his own company,
Rising Sun Comics.